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      <image:title>Order spoKe - spoKe 11</image:title>
      <image:caption>Cid Corman and Ron Schreiber features.  Poems by George Evans, Mairéad Byrne, Lee Bartlett, Olena Jennings, Patrick Sylvain, and others. Peter Valente on Melville andtranslations of Pliny’s letters,  Lee Bartlett on McClure and the Sixth Gallery reading, Michael Londra on Ben Mazer’s Delmore Schwartz. Pre-order here from Madhat Press.</image:caption>
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      <image:title>Order spoKe - spoKe 10</image:title>
      <image:caption>This year spoKe marks its 10th anniversary.  Launched in response to the Boston Marathon bombings, we have now shared ten issues of poetry and poetics from Boston and beyond.  This issue is proud to feature new work from the Vietnamese poet Sabine Huynh translated by Charlotte Mandell, Alfred Corn's play on Robert Lowell in full for the first time, new translations of poetry from indigenous Brazil translated by Tiffany Higgins, and poetry of humor edited by Danielle Legros Georges.  Poetry and interviews by Maxine Chernoff and John Kinsella.  More Letters to Maximus from Amanda Cook, Cheryl Clark Vermuelen, Joseph Torra, Robert Kelly, Guy Rotella, and Anonymous.  Order here from Madhat Press or here from Amazon.</image:caption>
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      <image:title>Order spoKe - spoKe 9</image:title>
      <image:caption>Ed Bullins, Ishmael Reed, Askia Muhammed, Sonia Sanchez, Horace, Marie-Celie Agnant, Wang Ping, Suzanne Mercury, essays on Patchen, Reznikoff, more. Order here from Madhat Press or here from Amazon.</image:caption>
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    <loc>https://www.spokeboston.com/books/and-yet-it-moves</loc>
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    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/01a68bc1-2b07-4c8f-95ce-7b67c07a0c6d/Andyet.jpeg</image:loc>
      <image:title>Books - And Yet it Moves - MadHat Press, 2022</image:title>
      <image:caption>Purchase here from MadHat Press In And Yet it Moves, the poet is an archeologist of mourning rediscovering that assaults on science and reason are not new phenomenon. Gallagher follows Petrarch, who spawns a new lyric in part inspired by lost texts, and who motivates ‘book hunters’ of the Renaissance to search for the buried as well. The world changed when Poggio Bracciolini discovered Lucretius’s On the Nature of Things in a Benedictine library. Lucretius’s poem is a meditation of the universe as infinite numbers of atoms wandering randomly through space with no master plan whatsoever. The book birthed humanist philosophy, masterworks such as the Birth of Venus, and inspirations for Galileo Galilei. When Galileo’s patrons the powerful Medici rose to the Papacy, they chose their power over science and reason—sentencing and silencing Galileo for life for proving that the earth revolved around the sun. Digging with his pen, Gallagher brings these stories back in ‘talking sonnets,’ as if ditching the Latin for the more colloquial Italian of the people that came into form during the era. Upon his sentencing, Galileo’s is said to have uttered ‘Eppur si muove, ' knowing that the truth would eventually prevail. Purchase here from MadHat.</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/the-wild-goose</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/15f576a8-2b6d-49e6-9734-04e87d71ba3b/Wild%2BGoose%2BBook%2BCover.jpeg</image:loc>
      <image:title>Books - The Wild Goose - Loom Press, 2022</image:title>
      <image:caption>Purchase here from Loom Press. The Wild Goose was a hand-made magazine of verse written and edited by John Boyle O’Reilly aboard the Hougoumont, the last ship to transport British convicts to Australia. O’Reilly (1844-1890) was an Irish Fenian sentenced to life imprisonment for infiltrating the British army and attempted mutiny. O’Reilly escaped from Australia aboard a whaling ship and settled in Boston where he rose to become an editor of The Pilot, a noted poet, and abolitionist. In a sense, these poems are a little magazine conceived of and drafted in 2018 and 2019 when Gallagher was a poet-in-residence at the Heinrich Boll Cottage, on Achill Island, County Mayo, Ireland. In addition to a sequence on O’Reilly, the poems in this book engage the Irish landscape, and the history and myth that formed the identity of some of the Gallagher’s ancestors until British colonialism and associated famine took them to Massachusetts.</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/the-apprentice-from-drogheda-john-boyle-oreilly</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/66f54c40-1f47-4b5f-95f7-e0485ea7cfed/ACH-gallagher.jpeg</image:loc>
      <image:title>Books - The Apprentice from Drogheda John Boyle O'Reilly - Red Fox Press, 2019</image:title>
      <image:caption>Purchase here from Red Fox Press. A poem written during a stay in 2019 at the Heinrich Böll Cottage. A facsimile of a collage of poems using a typewriter on white paper and old photographs on a vintage blanc writer's journal from Folens.</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/radio-plays</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/f3fe6542-9af8-431d-887c-28c1f40069ac/radioplays.jpg</image:loc>
      <image:title>Books - Radio Plays - Dos Madres Press, 2019</image:title>
      <image:caption>Purchase here from Dos Madres Press. These radio poems are ‘talking sonnets’ in the American grain. While they are ‘sonnets’ that echo the Italian and to a lesser extent the English versions of the form, they are more analogous to the ‘talking blues’ of John Lee Hooker, the Reverend Gary Davis, Woody Guthrie, and Bob Dylan. The talking blues brought projective verse to the more formal and imported blues ‘ballad’ and hit a peak in the late 1950s and early 1960s America.</image:caption>
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    <loc>https://www.spokeboston.com/books/ceremonial-entries-1</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/271bca3b-096d-41e1-b235-584d65d8a411/CEREMONIAL_ENTRIES.jpeg</image:loc>
      <image:title>Books - CEREMONIAL ENTRIES - Červená Barva Press, 2019</image:title>
      <image:caption>by Joseph DeRoche Edited by Kevin Gallagher and Martha Collins Purchase here from Červená Barva Press. “With razor-sharp wit and élan, Joseph DeRoche's poems remind us that revelation is never easy-that it often comes at great cost as we "loat to Paradise / In a slaughter / Of small things." DeRoche's poems are as formally taut as they are conversationally playful. His impeccable, architectural eye for detail creates a language that unmakes and reshapes the coercive structures that constrict our speech. In poems that delightfully blur the boundary between body and spirit, the individual human utterance becomes "an ordering / Against the furious weather / Of the world’s silence." Thanks to editors Kevin Gallagher and Martha Collins, a new generation of readers will now have the opportunity to experience the lyric grace and benevolence of DeRoche's brilliant poems.” -Tony Trigilio, author of The Complete Dark Shadows (of My Childhood), Book 1</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/loom</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/1655135746500-BJVKNS0LKQLUP7Q7U63K/Loom.jpg</image:loc>
      <image:title>Books - Loom - MadHat Press, 2016</image:title>
      <image:caption>Purchase here from MadHat Press. Loom is concerned with the history of our divided country, a violent division preceding civil war and by now embedded in our cultural landscape. The non-sentimental poems are cool, clear and literal. They are narrated by white Americans who position themselves in relation to “slave power” and cotton as “lords of the loom” and “lords of the lash”. Boston is central to the story, and the cities of Lawrence and Lowell. It’s a valuable collection, as it puts the focus back on the white male where the distortion of vision begins and is occasionally resolved. —Fanny Howe, winner of the Ruth Lily Poetry Prize and National Book Award Finalist</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/come-over-and-help-us</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/1665068594713-812OIXG42UVEF2JPC0CN/Comeover.jpg</image:loc>
      <image:title>Books - Come Over and Help Us - Kelsay Books, 2014</image:title>
      <image:caption>Purchase here from Kelsay Books. In Come Over and Help Us Gallagher takes us on a wild, timely and wonderful ride. Think of an afternoon with William Blake, Emily Dickinson, and John Wheelwright perhaps with a whiff of tea or whisky in the air! “Kevin Gallagher is a poet and a rebel of the very best kind!” Kevin Bowen</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/ceremonial-entries</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/6b87f645-0c44-4dcc-b374-62733685db9d/gringo_guadalupe.jpg</image:loc>
      <image:title>Books - Gringo Guadalupe - Ibbetson Press, 2009</image:title>
      <image:caption>Purchase here from Lulu. Kevin Gallagher's poetry is a rare synthesis of great poetic traditions that puts particular emphasis on the image and the lyric blended with a uniquely personalized iconoclasticism. His is a perpetual pursuit to make it new. - Anastasios Kozaitis</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/gringo-guadalupe</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/1655136658103-W2FF6KG8COUOTA4SP3NF/texcoco.jpg</image:loc>
      <image:title>Books - Looking for Lake Texcoco - Cy Gist Press, 2008</image:title>
      <image:caption>Purchase here from Cy Gist Press. These poems are a variation sequence evoking the painting “La Cuidad de Mexico, 1949” by Juan O’Gorman, an Irish-Mexican painter who lived in Mexico (1905-1982). The painting, now at the Museo Arte de Moderno in Mexico City, is a bird’s eye view of Mexico City during its transformation into a modern city. In the foreground, two hands hold a map known as the Santa Cruz map, which represents the colonial city being built on top of the ruins of the pre-Hispanic era. In the top right of the painting two angels carry a Mexican flag bearing the legend "Viva Mexico.” Alongside Gallagher’s English is a Spanish-language translation by Guillermo Parra, author of Caracas Notebook.</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/isolate-flects</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/1655136681632-MSP3WG0RB806X33GPJWG/IsolateFlecks155x248.jpg</image:loc>
      <image:title>Books - Isolate Flects - Červená Barva Press, 2008</image:title>
      <image:caption>Purchase here from Červená Barva Press. In William Carlos William's poem, 'To Elsie" he says "It is only in isolate flecks that something is given off" This first chapbook holds forty pages of 'isolate' poetry that hopefully gives.</image:caption>
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  <url>
    <loc>https://www.spokeboston.com/books/greatest-hits-12-years-of-compost-magazine</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/62a63e5fe89b7731c48f934e/b92d070a-765b-49a5-bc62-842f60a2bfef/compost+greatest+hits.jpg</image:loc>
      <image:title>Books - Greatest Hits: 12 Years of Compost Magazine - Zephyr Press, 2003</image:title>
      <image:caption>Purchase here from Zephyr Press. A celebration of writing from twelve years of the magazine compost, including work by: Connie Deanovich, Denise Duhamel, Marjorie Agosin, Victor Hernandez Cruz, James Laughlin, Rosmarie Waldrop, Rosanna Warren, Ed Bullins, William Corbett, Robert Pinsky, Martha Nussbaum, Sam Cornish, Eavan Boland, and Bei Dao.</image:caption>
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    <lastmod>2023-03-12</lastmod>
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    <lastmod>2023-03-11</lastmod>
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    <loc>https://www.spokeboston.com/kevin-gallagher-poetry</loc>
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    <lastmod>2024-01-23</lastmod>
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      <image:title>Kevin Gallagher Poetry</image:title>
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